You may remember Canon's promo video for the 5d Mark III that I posted a couple of weeks ago, which showcased the, ehem, interesting sport of Radball. Love it or hate it, I think we can at least agree that it was pretty entertaining. Canon recently released a companion to the promo video which goes behind the scenes into the filming of the piece.

I know that we've experienced a pretty big spate of aviation-related posts over the past few weeks. Anyone else getting sick of them? No? Good. Me neither. Here's another one that is just too cool, and makes me way too jealous.

Creating great work on every shoot you arrange is a tall order and the hallmark of an established and experienced photographer. But what areas have the most impact on the shoot's outcome?

Are you ever on location shooting and the background is a bit boring? Why not add smoke? In this video Jay P. Morgan shows us how he uses a smoke machine in the woods to liven up his shots. Using some materials from your local hardware store you can make the smoke go exactly where you need it to be.

There are photo books and then there are photo books that you go back to repeatedly over time. Peter Turnley's new self-published collection "French Kiss: A Love Letter to Paris" is one such publication that begs to be savored. A monochromatic study of Paris captured over 40 years on the streets, the 138-image hardcover is an homage to the romance of the City of Lights captured with a reverence for the aesthetics of famous French street photography.

We're heading into the realm of storybook fantasy with this week's Lighting Breakdown that blends natural and artificial light.

Videographer/Photographer/Artist Shawn Reeder spent two years in Yosemite creating the footage that would be cut to make this video. Shot mostly under moonlight and with a variety of dollies and cranes, the end result is a masterclass in the art of the outdoor timelapse. It's not often that we get to see such an intimate portrait of a location shot over such a long time period. Be sure to view fullscreen, with HD enabled.

If you’re looking for a new location to shoot, consider checking out these destinations that might be right by you.

Finding new locations to shoot can sometimes be a challenge, especially when you don't live in the area. What can you do to improve your chances of finding those amazing photoshoot locations?

Adventure Photographer and Filmmaker Corey Rich prides himself on being an avid outdoor enthusiast as well as a world class visual artist. Featured recently on a project that put the new Nikon D4 through it’s paces on the Project “Why”, Corey has posted this new video that documents a team of 6 adventurers traveling to Northern Alaska to summit an amazing mountain range.

Every year Crankworx holds a Mountain bike event in Whistler, Canada that is a combination of downhill, slope-style and enduro competitions. They also host the Deep Summer Photo Challenge, where they put six photographers head to head, with the challenge to build a slide show that showcases mountain bike culture within Whistler. Watch this behind the scenes from Laurence Crossman Emms, as he explains the thought process behind his slide show that later becomes the viewers’ favorite.

Long before "El Cap" became the easier way to pronounce Apple's upcoming operating system, it was the affectionately shortened moniker of Yosemite's most famous and respected rock climbing peak: El Capitan. Today, Google launches a project that takes Street View vertical, as each image was taken as a climber ascended the peak.

Halvor Angvik and Jeff Nebelkopf created this video with the help of Red Bull and JokkeSommer. The fact that Red Bull sponsored it should tell you all that you need to know: It's absolutely incredible. I've seen some crazy wingsuit stunts before, but

Photographer Aaron Anderson has done it again, and this time, it’s with Paralympic gold medalist Noah Elliot. The collaboration was an incredible process, though Anderson admits that it might also possibly be one of the hardest productions they’ve worked on.

Outdoor on-the-go DIY style editorials are really picking up in the fashion world. It is a good skill to have in your toolkit as a budding photographer. In this article, I want to break down how a small team of talented artists and myself went about producing and shooting two full on-location, outdoor editorials for Bullett Magazine in less than two weeks in NYC.

David Guttenfelder shot for the Associated Press for 20 years, based in Nairobi, Abidjan, New Delhi, and Tokyo, but it wasn't until he helped open the AP's North Korean bureau in 2011 that he became truly famous. His Instagram account has nearly a million followers and is filled with stunning iPhone photos from around the world. He was one of the first photographers to publish images shot on his phone, which caused a bit of a stir at the time.

Renting studio spaces can get pretty pricey, especially in big cities like New York. VSCO is now offering free studio time in their New York location for all artists. If you are in the area, and have a project that requires a studio, this could be an awesome opportunity to take advantage of. The studio includes a permanent cyc wall and even some basic lighting to get you going.

I recently travelled to the local racetrack with my brother for an open track day and decided that while he was out riding, I would try to make a few portraits of the other attending riders. I spent plenty of time ahead of the trip planning lighting, gear, locations, and more. This is a step by step walkthrough of how I created this series of portraits.

Talented Magnum Photographer, Christopher Anderson, experienced something that completely changed his life. In June 2000, while traveling in Haiti, he met writer Michael Finkel and together they documented a group of 44 Haitians on their journey to the United States. A few days after they set sail, they realized the handmade boat was sinking. Anderson’s first reaction was to continue taking pictures – even though he knew there was a chance they may never be seen.

A sense of adventure has always been a common trait among photographers especially those who photograph landscapes. This sense of adventure often takes us to some interesting and remote locations. Well now there is an app that allows you turn those remote destinations into a scavenger hunt for other adventurous souls to find. TapTag allows you to leave a photo "postcard" of the location you visit for others to find.

Winter can produce some of the most awe-inspiring landscapes of the year, bringing with it snow, ice, and more than a few challenges peculiar to winter landscapes. Iceland is no exception, and in his latest vlog, Nigel Danson shares tips for getting the most out of the white stuff.

As photographers, we are always sculpting our images with light. But if you've seen any of the light painting posts here on Fstoppers, then you know just how complex the art of light painting can get. Photographer Ben Willmore has been using small constant lights in his images for years, and now he's offering a free online workshop for anyone wanting to learn the craft. On Saturday, August 25th, Ben will be giving away all his tips and tricks for free on creativeLIVE.

In this lighting lesson, Jay P. Morgan of The Slanted Lens offers a very cool DIY effect; how to make smoke lay on water. Achieving smoke and wind in photography are two very difficult tasks that Jay P. made very easy by showing this step by step process. Have you guys ever experienced with smoke and wind? If so, share your images and how you did it in the comments below.

Alright, seriously. I keep telling myself that I'm sick of timelapses, that I don't need to watch five minutes of clouds, or that I don't need to watch a million cars stream past at lightspeed. We get it, we've seen a million sunsets, we've seen the stars pan overhead as the camera moves on a dolly. And then I watched 'Very Little Stars' by Ben Wiggins, and I took it all back. Oh my goodness. This movie is

One thing I love about the Gopro Hero 2 cameras is that normal, everyday people can record amazing footage that has never been seen before. Such is the case with Mark Peters who thought he was just going to film some albacore tuna during his fishing trip. Little did Mark know what his GoPro would capture inside his homemade underwater torpedo.

If you are anything like me, you have probably found yourself agonizing over finding just the right location for a portrait shoot at one time or another. It does not have to be that difficult, though, and this helpful video tutorial will give you some great tips for finding suitable locations quickly and easily.

Cinematographers help to bring the vision of the directors they work with to life through their use of practical and off screen lighting, motion capture techniques, and composition. Let’s go behind the scenes with Phedon Papamichael, ASC, the cinematographer from Ford v Ferrari, and see how he helped formulate the lighting and capture of some of the most epic racing scenes in years.

While you are waiting for me to finish the video edit on our last Puerto Rican Photo Challenge, we have a new competition for you guys to judge. This time I take a back seat and let Lee Morris and Pye Jirsa of SLR Lounge battle head to head in the streets of Old San Juan.

Aaron Eveland, the videographer of the wedding duo in Hawaii known as Makai Creative, set out to recreate the classic look of The Endless Summer movie poster – gigantic sunsets behind surfers on the beach – and that he did with the help of a Canon 800mm f/5.6 lens, a 2x Extender, and a lot of trial and error. It’s all worth it as you can see in his short film, Sunchasers.

This lesson from Jay P. Morgan of The Slanted Lens is a little different than his others. Mostly shooting on a Canon 7D with a Tamron 17-50mm lens, he gives several helpful tips on how he shot this celebrity event. We may not always be able to bring extra lighting and a Kessler Crane but there are will always be more to learn ways we can improve. Check out this video for more ways to learn!

Every year for the past few years, I’ve donated photo work to a local organization that puts on a half marathon in coordination with the local firefighters union chapter to raise money for local charities. Last year, I ended up doing a relatively simple shoot with just some firefighters and a ring light. This year, I wanted something different. And so, quickly and repeatedly, the question became, “Can we use real fire?”

During a two-day trip to the magnificent city that is Rome, photographer Milán Rácmolnár came up with the brilliant idea of photographing Rome in infrared. The result is a different and pink perspective on the cityscapes.

Comedian Colin Kane angry mob photo shoot with Photographer Monte Isom from monte isom on Vimeo.

When doing a documentary-style video production, an interview or series of interviews is often at the heart of the content. Uncontrollable lighting, background noise, and the size of the space you have to work in all play a significant role in capturing a quality testimonial, so location scouting to check on these is an important facet of our production process. In this short video, Joshua Pardon and I explore two rooms at a location and discuss what we look for when making a decision on where to set up for a shoot.

When it comes to street photography, what counts, how would you define it, and why? Here's a video that poses some potentially tough questions and attempts to define more abstract ideas that may have a fair amount of gray area regarding that very question.