Gear

Tom Guilmette is now a pretty regular name on Fstoppers because his BTSVs in the field of video are some of the best we have seen. In the video below Tom travels out west with Eric Kessler to film BTS footage of some of the top timelapse shooters of our time. My personal favorite is Tom Lowe and we haven't heard much from him in the last year because he is still working on his timelapse feature film. Check out the video below to learn from the best.

If you have followed Fstoppers for any amount of time, you know we are big advocates of photographers having great looking websites. Most photographers love the look of a flash site but more and more companies are starting to offer both flash and HTML versions of their sites. Creative Motion Design has been hard at work creating flashy looking websites that are coded in HTML so your potential clients can check out your work while browsing on their mobile devices and tablet computers. This week CMD released their first fully customizable HTML websites Rosie and Ethan with more designs coming out throughout the rest of 2011. I love the look of Ethan, and the prices on these sites are reasonable especially since CMD's customer service is leagues above many other website design companies. As soon as Lee and I have some free time, we are planning on converting our sites so they load up easier for potential clients.

If you are planning a behind the scenes video for our 2011 photo contest, you probably also need to setup an interesting interview segment to explain the details of your photoshoot. Most photographers spend a lot of money on their flash equipment but often don't have much in the way of constant lights. The guys over at SLRlounge have come up with a great BTS video on how you can create an interesting interview set on a budget. In this video, Pye Jirsa used basic work lights mixed with natural ambient light. In our contest video we either shot completely natural light or mixed in some of these inexpensive LED lights to make it a little more interesting. Taking a little bit of time to make your interview footage look good always goes a long way and is often just as fun designing as the actual photoshoot itself.

last week Jay P Morgan showed us exactly what softboxes do to light sources. Each softbox shape can be used to create a unique look and in the video below Jay shows us how he chooses the correct size to light a specific shot. Keep in mind that if you don't have enough money to buy multiple sofboxes, you can change the relative size of a single box by moving it closer or further away from your subject.

Have you ever wondered how DSLR cameras match up when compared to film and high end HD video cameras? Last year, Zacuto brought together some of the biggest names in the movie industry to see how well the first round of video capable DSLRs compared to the industry's standard film and HD video cameras in The Great Camera Shoot Out of 2010. This year they have started another series which compares some of the top cameras including 35mm Kodak 5213/5219, Arri Alexa, Red One M-X, Phantom Flex, Sony F3, Panasonic AF100, Canon 1D Mark IV, and Nikon D7000 (where is the D3s?), and a bunch of other professional video cameras. The Great Camera Shootout is a must watch if you are a gearhead or simply enjoy seeing how well the current crop of DSLR cameras are at video. It's pretty amazing to see the consumer Nikon D7000 holds its own against such a competitive group; I can only imagine what the next crop of Nikon cameras is going to do! Check out the trailer below and hit the full post for the first episode that outlines exactly what sort of tests Zacuto is going to run.

Understanding how different sized softboxes work usually requires a bunch of tests or just good ole trial and error. Luckily photographer Jay P Morgan has done all the dirty work for you and shows how different sized Photoflex softboxes create unique spreads and quality of light. I find smaller softboxes are great for location portraits because of their compact size and soft yet edgy light. However you may prefer something larger depending on the specific look you are trying to achieve. If you enjoy Jay's videos, check out some of his older posts we have featured on Fstoppers.

There is no doubt that the RED's Epic video camera produces some of the most crisp and surreal footage you are likely to see at a reasonably "budget" price point. Up until now, the only lenses you could use with the Epic had to have the PL lens mount found on cine lenses. Recently, photographer turned videographer Vincent Laforet was able to demo the new Canon lens adapter which allows the RED cameras to use most of the EOS mountable lenses. In the video below, Vincent shows what the RED/Canon combo can do out in the field. One particularly interesting combo is the Canon 600mm f/4 L lens mounted with the 2x Canon Teleconverter. Some estimates give this combo a 35mm equivalent of 3400mm with the crop factor but I think it's actually a bit less than that (the RED should have around a 1.2x crop factor depending on the file output). Either way, the footage is pretty amazing and super exciting if you dream of using RED gear down the road with your existing Canon lenses. Any idea how he shot the video in low light? Looks like the lens would be at least at f8 which is almost unusable in anything but bright light.

One Degree from Vincent Laforet on Vimeo.

A while back we featured a story on a new camera body cap that was designed to protect your DSLR while traveling through the most extreme of circumstances. The LockCircle created a lot of controversy from our readers over both the price and also the size of the cap itself. Well we now have a reason why this body cap is so expensive and know exactly how it works with this amazingly well crafted behind the scenes video. You may scoff at the overall idea of this product but you will no doubt be impressed with the manufacturing process. I usually leave lenses on my cameras even when traveling but I can see the advantage of something like this for extreme condition photographers who shoot in sandy, snowy, or dusty environments where a loose body cap could cause serious problems during a photo session.

One of our trusted Fstoppers readers sent us this video, and I found it really interesting. Digital cinema specialist Rob Hummel recently gave a lecture at Cine Gear Expo 2011. In his lecture he described exactly what is going on when both film and digital mediums capture light to form an image. The graphics in his presentation help explain why old fashion film can still produce more aesthetically pleasing images than digital. He also describes a little known secret about how gamma rays present at high altitudes can actually destroy camera sensor's pixels. I've personally flown with a bunch of cameras dozens of times with no pixel problems but maybe my cameras are able to mask the destroyed pixels through software? Either way, the exciting news I took from this video is that digital sensors still have a lot of potential gains that can make our images even better in years to come.

Whenever a great deal comes along, we try to help out and share them when we hear about them. Today only there is a great deal on Canon DSLRs bundled with the Canon Pixma Pro 9000 MKII printer. Basically if you buy any Canon DSLR camera with the Canon Pro 9000 printer (currently on sale for $350), you get a $400 AMEX Card which means the printer becomes free and the camera is $50 off. Not bad if you are in the market for a camera or just need the free printer. Lee and I both use this printer for the few photo prints we make and it's amazing what it can do with some good paper. I've heard there are not many of these in stock so once they go they are gone. Simply head over to the Printer Page to see both the instant rebate and the mail-in rebate form. Just make sure you have a camera and the printer all on one transaction. Easy as pie :)

In the past a ring light/flash was a piece of gear that few photographers could actually afford. Today there are a few cheaper options including the Diva Ring Light that can be found on eBay. In the video below Olivia Tech does a quick review of the $200 unit. Now you may still be thinking that is a little steep but when you look at similar products, the price isn't too bad.

So your band is about to go on tour and the obvious question is "what are we going to use for our backdrop?" Most bands would normally use a projector, an LED panel, or just some plain old stage lights. What the Japan based band Androp decided to do was much more interesting. Using 250 Canon cameras equipped with external flashes, the band wired everything together and programmed them with Arduino open source software to display different patterns of light and text. You really have to watch the full video to even grasp how cool this turned out. Check out the behind the scenes video below and jump to the full post for the final video.

The guys from StillMotion have been featured on Fstoppers a few times for their incredible wedding videography. What many people don't know is that most of the really complicated looking shots that they get were filmed with a Manfrotto 561 Monopod. Sometimes the most expensive option isn't always the best.

Holli True is a very well known wedding and senior portrait photographer based in Oregon. In the video below Holli takes us on one of her senior portrait sessions and explains how she gets a different look using Lensbaby products. Lensbabys are basically very simple tilt lenses. If you are unfamiliar with how they work, view the full post to see a second in depth video on how to use the products.

If you have a large studio or perhaps even a small studio space in your home, chances are you have asked the question, "how in the world am I going to build a cyclorama wall?" Last year we shared with you a video on how to make a cyclorama wall done by Sam Robles. Well it seems Sam isn't the only photographer handy with a few carpentry tools. Check out this, ahem, inspiring video by the good people over at EyeHandy which outlines each and every step needed to make a solid and sturdy cyc wall for your studio or in this case dining room. I love one youtuber's comment, "after a while i stopped being aroused and started being amazed!" Happy summer time tool project!

Markus Klinko is a famous celebrity fashion photographer that you've probably seen on Bravo's Double Exposure television show or the countless high end fashion magazines featuring his covers and spreads. Together with his photographic partner Indrani, the duo have produced some of the most iconic celebrity photographs of the last 15-20 years. What you might not know about Markus is that he shoots on a collection of Mamiya RZ and DM cameras and digital backs and uses Leaf and Capture One by Phase One software. What makes his Mamiya cameras so unique though is his custom made ivory mammoth tusk pistol grip which combines the prehistoric era with the modern era all in one camera. For a more serious look at Markus's camera, hit the full post for video number two.

Laptop makers Lenovo have released a new series of laptops that they claim can startup in less than 10 seconds. The new ThinkPad T420s and IdeaPad Y570 are using a new technology called Rapidboot which they claim makes their computers boot up faster than any other computer on the market. Lenovo teamed up with the ad agency McKinney to prove just how fast their Windows 7 computers can start. The idea was to throw a laptop out of a plane at 12,500 feet and see if it could trigger the parachute after loading Windows. Check out the behind the scenes video below and then head over to the full post to watch the final commercial. I'd love to see Apple run a marketing campaign like this!

A while back we posted a popular video series by Philip Bloom called New To DSLR Video? Here Are 8 Videos To Help. In one of the videos, Philip talks about how when shooting on Canon DSLRs (and presumably all DSLR cameras), certain ISO values actually may produce more noise than ISO values 1/3 and 2/3 stops HIGHER! Of course this made everyone a bit uneasy and sparked some interesting discussion. Well Andrew Schär made a video that demonstrates how ISO settings at multiples of 160 are actually better than the normal ones we use at intervals of 100. The question that immediately comes to my mind now is does this hold true for still shots as well or does it only show up when processing video? What do you guys think?

If this video had come out in April I would have thought it was a prank. I've seen 3d printers before but nothing with this much precision. What is most impressive is the fact that this thing can somehow "print" internal moving parts. This printer may not be directly related to photography but it's so versatile, it could be related to anything. I recently lost my lens hood for my 24-70mm lens. It would be nice to print another one and save $30. Maybe my kids will have that luxury.

One of the most important things any photographer can do to push their career forward is to take on assignments that are beyond what they feel comfortable shooting. When Todd Rosenberg was approached by Sports Illustrated for a commemorative issue, he was asked to shoot 10 historic cars from the last century of the Indianapolis 500. The only problem was Todd had never photographed an automobile before in his life! Using advice given by car photographer Michael Furman, Todd built a large studio (which included a 10'x30' Chimera softbox) directly inside the auto museum. Check out this great interview conducted by PhotoShelter as Todd discusses how he organized the shoot as well as some business tips on how he got the client in the first place. Also check out all of the images on the Picade Indy 500 page.

Our good friends over at Pocket Wizard have had a great year with the release of the new Nikon MiniTT1 and FlexTT5 wireless radio triggers as well as the new AC3 controllers which allow you to control groups of flashes directly from the top of your camera. This video of Neil Van Niekerk shows how he is able to use the new AC3 controllers along with some relatively small softboxes to produce quick and easy studio style shots on location. I'm a huge fan of the Photoflex Octodome softboxes that I use on most of my shoots but these small Lastolite softboxes have an interesting look that you can't always get with larger softboxes. I guess it's the soft directional lighting that adds a bit of moodiness into Neil's images that I like. If you have had a chance to experiment with different sized softboxes on location, which ones do you prefer and why? Let us know in the comments.

Everyone loves a good timelapse video, and Benjamin Sichert has a great one here. Ben filmed this at the NA Otto & Cie factory in Germany which was the first plant to produce 4 stroke combustion engines back in the 1870s. As you can clearly see in the video, this was entirely filmed on a Canon 5D Mark II (video sequences), a Nikon D90 (photo sequences), and the automated Pocket Slider. I love how Ben added a behind the scenes element by including a few camera shots of the setup and motion. It always amazes me what these motorized dollies can do...might have to pick one up soon.

It's summer time which means you probably are looking to get out of the house and find some adventure. For photographer Jerry Monkman that often means taking his DSLR cameras out with him on the water. In this short video, Jerry gives some great tips on how you can keep your camera safe from water while still keeping it within reach. Using the camera system made by Cotton Carrier, Jerry is able to keep his camera snug against him and out of the way. If you prefer to get a little more wet and wild, you can always opt for our personal favorite underwater housing by Iwa-Marine. I'm not going to give away the ending of this video but I'm sure you will find it as scary as I did watching Jerry casually rowing along during this video. Any of you guys doing nature photography that requires this sort of thing?

With Apple's Final Cut Pro X just starting to hit the streets, stories about how unusable the video editing software has become are popping up everywhere. Recently even Conan O'brien took a stab at the software editing program when his production team created this funny skit showing some of the new features found in FCPX. Here at Fstoppers we still use PCs and Adobe Premiere but I can imagine how frustrated I would be if Adobe changed many of the UI we have come to love and master. That being said I've heard Final Cut Pro X has some great features; maybe all these negative reviews are just coming from editors not willing to update. What do you guys think? Will you be purchasing the next version of Final Cut Pro?

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Today all the buzz in the photo world is coming from an unusual tech company called Lytro. A new camera called the Lytro Light Field Camera uses a groundbreaking new sensor design that allows more light to be recorded than normal sensor technologies. This in turns actually allows you to choose your focus point after you have taken the photo (click on the photo to the left). As of right now no major camera companies have picked up this technology for their own cameras, but worry not as Lytro is working on creating a small point and shoot camera that will feature this "focus later" sensor soon. Check out the full post for more examples of the images as well as some commentary from the Wall Street Journal. Do you guys think this is a good idea or a practical application of selective focusing?

Just stumbled upon another great video by OliviaTech which showcases a pretty high quality jib. That in itself isn't very exciting until you realize that this thing only costs $125! If you know anything about the cost of jibs, you know how good of a deal this is. Head over to eBay and buy one at this incredible price... mine is due to show up in a few days.

Vincent Laforet recently released a new short titled "Epic #308" because this was the first test footage taken with his new Red Epic camera with the serial number of 308. The footage was shot in California, from Big Sur, to Ft Bragg back through Mono Lake and Death Valley. Check out the full post to see the finished product and head over to Vincent's blog for the full gear list.

Just ran across this interesting video of Canon's "IS" in action on Vimeo. The video is cool but write up by Camera Technica is the best part. Head over to their website to learn how that lens of yours keeps your images sharp.

If you like gadgets as much as me then you will probably find this really interesting, and probably a little scary as well. The guys over at Mikrokopter put a "FollowMe" transmitter on a wakeboarder's head and the chopper automatically follows and films him around the lake. The chopper was at a very high (and safe) altitude but I can see these getting a lot closer as the technology improves. The concept is really remarkable but I'm not sure I want a flying machine with 6 blades following something attached to my head.

Have you ever wondered how to make your own breakaway glass? It's surprisingly simple and in the video below Jay P Morgan walks us through the process step by step. Jay is also currently giving away 2 bottles from Alfonso's to one of his Twitter followers so make sure you are in the running!

A few weeks ago we posted a video by SLR Lounge that we called "The New iPhone Fashion Shoot." In that video a reflector was used to light a model and the results were fantastic. In the video below Pye takes us through a few of the ways that you can use a reflector to get similar results.

Many of you may know what a polarizer does in theory, but you may have never seen a side by side comparison like this. The video below from OliviaTech does a great job of showing examples of this filter in use. If you shoot outside, or reflective subjects, a polarizer like this one is a must have.

Timelapse videos have becoming incredibly popular over the last year. If you happen to be one of the many photographers interested in getting into this growing feild, you may want to check out Kessler's new basic controller. This gear is by no means cheap but it is far less expensive than it used to be. Check out the video over below created by Tom Guilmette.

Kickstarter is a fun website that allows inventors to demo their prototypes in an effort to raise funding for an actual product. The company Kogeto creates 360 degree pano devices, and recently they tackled making a fun accessory for the greatest fashion photography camera: the iPhone. David Sosnow demos how the Kogeto Dot will work if put into production as well as how their own mapping software combines the footage into a explorable 360 video not unlike the Yellowbird Camera we featured last year. I know many of you will say this sort of thing is pretty gimmicky but I think there is a ton of potential for this sort of videography in events, weddings, action sports, etc. Check out this 360 video of Muse playing last year. I can only imagine what people would do having this technology in their phone.

When deciding to buy tripods, ball heads, lightstands, and umbrella brackets, I quickly learned that it's worth it's weight in gold to buy the best there is out there, and the best is usually made by Manfrotto. So I was a little curious when I heard they were releasing a new tripod head that allows smooth pivoting found in a video fluid head with the quick versatility found in photo ball head. Drew Gardner got his hands on the new Manfrotto MH055 Photo-Movie tripod head, and I must say this thing looks like it was made by aliens or something. It should be interesting to see the reviews on this once it comes out in June. Nothing is more annoying than having to carry around two different tripod heads for stills and photos so maybe this could be our answer. Check out the video below for a demonstration on why photo heads can't be used for video and vice versa.