Strobe light

Everyone knows Annie Leibovitz is one of the most, if not THE most, well known photographer in the world. Her images evoke a strong sense of story, drama, and beauty. It's not surprising why so many advertising agencies choose Annie to take their clients' portraits. In this video Annie Leibovitz puts Profoto co-founder Conny Dufgran in front of his own lights for a series of environmental portraits. Like most of Annie's behind the scenes videos, you really have to pay attention to the details because she isn't going to spell it all out for you. The first time I watched this video I noticed how much feathering she does with her medium octaboxes, how she controls fill light with large black cards, and even a little on how she directs her subjects. I also like the magic arm trick she uses to get her softlighter closer to her subject...I might have to steal that one. If you have any tips you have taken from Leibovitz share them in the comments.

Last time we featured a video from Mike Tittel, he was showcasing his edgy lighting look on some female tennis players. This time he has taken his photography team to the salt flats of Utah to photography the Brazilian sport Capoeira. For this shoot, Mike pulls out a few Profoto 7Bs with 2x3' gridded softboxes for many of the shots. However it's his natural lit shots that really grabbed my attention which he lit using the very helpful 4x6 California Sunbounce to fill his subjects. After the video, head over to Mike Tittel's Website to check out more of his work and click on the full post to read how Mike lit these shots in his own words.

We have featured a lot of Dave Hill's unbelievable photoshoots here on Fstoppers. So when I saw his Adventure Series posted over at Strobist I thought it was an older video. Oh how I was wrong....way wrong! In his latest video, Dave Hill places his composite images into an After Effects type environment and lets you see every layer and all it's photoshopped glory. The video outlines all 11 images so it's a bit long but you will probably still find yourself watching all of them in wonder. This video was also a great reminder that Dave is to work making behind the scenes videos so you will probably see a lot more of him in the near future. What do you guys think? What is your favorite image from this series?

Recently LeBron James was photographed for GQ Magazine. The video below is really just a promotion for that magazine but if you keep a sharp eye, there is some really good information to be learned. The lighting for most of the shots appears to be pretty simple; a single light above the camera. The size of the light changes from shot to shot from a huge parabolic reflector to a simple bare bulb held by an assistant.

In Jay P Morgan's newest video he is shooting MTV's Darren McMullen. The concept is simple; create a hotel room set and photograph Darren as he destroys every inch of it. As we have come to expect, Jay P. gives us an inside look at his lighting diagram.

One of the most important things any photographer can do to push their career forward is to take on assignments that are beyond what they feel comfortable shooting. When Todd Rosenberg was approached by Sports Illustrated for a commemorative issue, he was asked to shoot 10 historic cars from the last century of the Indianapolis 500. The only problem was Todd had never photographed an automobile before in his life! Using advice given by car photographer Michael Furman, Todd built a large studio (which included a 10'x30' Chimera softbox) directly inside the auto museum. Check out this great interview conducted by PhotoShelter as Todd discusses how he organized the shoot as well as some business tips on how he got the client in the first place. Also check out all of the images on the Picade Indy 500 page.

Photographer Ryan Doco Connors recently found one of his images being printed on a t-shirt without his consent. Sugar Factory, the company selling the shirt, claimed that since the image was changed 40% (I have no clue where that number comes from) it was no longer considered his photo. Instead of suing, Ryan fought back with a few new photos and lucky for us, he shares all of the lighting details. This is exactly how The Stolen Scream story started... Hopefully this isn't the beginning of something much bigger for Ryan.

Von Wong, a photographer who has been featured on Fstoppers many times already, has created yet another great BTSV. In this edition Von Wong uses a long exposure and some sparklers to create some really killer images. We have all probably taken long exposures of sparklers but with a little creativity, you can create a real portfolio piece with anything.

Our good friends over at Pocket Wizard have had a great year with the release of the new Nikon MiniTT1 and FlexTT5 wireless radio triggers as well as the new AC3 controllers which allow you to control groups of flashes directly from the top of your camera. This video of Neil Van Niekerk shows how he is able to use the new AC3 controllers along with some relatively small softboxes to produce quick and easy studio style shots on location. I'm a huge fan of the Photoflex Octodome softboxes that I use on most of my shoots but these small Lastolite softboxes have an interesting look that you can't always get with larger softboxes. I guess it's the soft directional lighting that adds a bit of moodiness into Neil's images that I like. If you have had a chance to experiment with different sized softboxes on location, which ones do you prefer and why? Let us know in the comments.

This video was recently featured on Strobist but since we've been getting so many emails about it I figured we'd share it with those of you who missed it. David Myrick decided to try something rather strange when the electronic group Glitch Mob strolled into his studio. Basically he shot portraits of the band members on a white seamless background and then projected those images back onto the artists as they wore white clothing. If this sounds confusing just watch the video and it will all make sense. Fresh ideas like David's "projection technique" continues to inspire me in my own work. What do you guys think - anyone tried this technique before?

Here's a clever idea... EA decided to make the cover shoot for Madden 2012 a promotion in itself. How did they do it? Well they created a studio in the center of Time Square in NY and allowed thousands of people to watch the photoshoot take place live, and in person.

Have you ever seen a car ad in a magazine and wondered "how did they do that?" The car itself seems to be glowing and the location is always perfect. I've always known that tons of photoshop is involved by I didn't know if the car was actually shot in that location or if it was shot in the studio and dropped into the scene in post. In the case below, the car was shot on location and lit with a very simple rig (umbrella on a stick). The magic happens in Photoshop afterwards.

Have you ever tried to shoot an interior photograph and have it look like the shots in magazines or high end property brochures? If so then you probably know there are two routes to go: HDR or Flash. Photographer Dom Bower recently made a video showing the differences in both techniques and how you can combine them both to create a sort of hybrid image. Keep in mind that Dom is only using one single speedlight directly above the camera. Many of the amazing images you see for high end hotels and expensive properties often have dozens of light sources accenting very specific elements in the image. What techniques have you guys used in your interior photos? If you have examples, feel free to post your images in the comments below and check out Dom's final photos in the full post.

Shawn Smith is a photographer from Melbourne Australia. His company Blinq sent us this very informative BTS video outlining how they recently shot editorial portraits for two Ironman triathletes Luke Bell and Matt White. What caught me most about this video was how Shawn gave so much detail and insight into each photograph he was setting up. They were using top of the line gear like Profoto 7B packs and beauty dishes, but all of these shots could have easily been produced with less expensive gear and small speedlight modifiers for the photographer working with a budget. If you want to see how Sean and crew approach shooting triathletes underwater and in their natural element, check out the exciting video we featured back in December.

Travis Tank needed to shoot a portrait of a bicyclist riding down the road. The average person would probably shoot this with natural light but Travis wanted to light his subject with a large, off camera light source. For this to happen Travis mounted Profoto lights to a vehicle. The video seems to have been shot on a cell phone but this video is still very informative.

Over the weekend, one of our readers sent us this amazing behind the scenes video for the bicycle saddle manufacturer Brooks England. The basic concept for the photoshoot was a couple saving a fox from a bunch of hunting hounds while out in the British countryside. Photographer Frank Herholdt and his team had to balance two models, a tamed fox, four hounds, forest smoke, well placed studio strobes, and the natural elements to pull of this classic looking image. This is such a great example of taking your photography to the next level by pushing your concept and focusing on production value rather than just lighting a simple subject correctly. If any of our readers have any opinions on one of these saddles specifically, let us know on our Twitter because I'm in need of a new bike seat myself!

There have been a few conversations over at the Fstoppers Forum lately about how to composite two images together in a way that looks consistent. Aaron Nace has a history of producing interesting composite style images; recently he tackled the conceptual idea of "Going Home". Although I'm a bit disappointed neither Aaron or Avery gave any insight on what they were wanting to accomplish in this video, the way the two approached such a tough logistical concept is really clever. Sure there is a LOT of photoshop required in a final image like this but what's really important to take note of is how Aaron went out and shot as much of the concept in camera with consistent lighting so everything would work together when he started piecing the two images together. Since it's May 21st I figured this was an appropriate subject matter to tackle :)

Gary from F8 Photography and Mikey from Lightenupandshoot have crossed paths while traveling through Hong Kong. Lee and I ran into Mikey out at WPPI in Las Vegas a few months ago where he told us of some up coming adventures he had planned for Southeast Asia. These guys are really laid back and excited to break out into a photoshoot at any given time. In this video they take a ferry over to a local island to capture a few images of some friends they made in Hong Kong. Around 2:30, Gary talks about using a Variable Neutral Density Filter to almost completely destroy the ambient light while still shooting wide open at f1.2 and maxing out his shutter sync speed at 1/250. I've never attempted this technique, but it has been made famous by many photographers including Joey L. Does anyone have an opinion about these variable neutral density filters or use this technique in their own work? If so feel free to post an image in the comments below.

A few months ago Patrick and I flew up to NYC and filmed our first ever full length DVD (dual DVD actually) with Peter Hurley. The DVD is still being edited but we can finally see an end in sight. Initially we didn't plan on having a pre-order but when Peter Hurley decided to start teaching workshops, we decided to create a special pre-order deal. When the dual DVD is released, it will cost $300. If you purchase it before October 1st, 2011, we will give you a $300 credit towards any of Peter's workshops (and this can be used at any time) so you are actually getting the DVD for free. Peter is also going to personally sign all of the pre-ordered DVDs. Patrick and I are working as fast as we can to edit this DVD while managing Fstoppers.com and also shooting a wedding every weekend. Things are busy but we hope to have this DVD released sometime this summer. Head over to Hurley's website to sign up for "The Headshot Intensive," his new 2 day workshop. There are currently 4 slots left for his first workshop on May 21-22.

It's Spring time which means a lot of photographers are back to shooting outside and probably photographing group portraits. As a wedding photographer myself, I'm constantly having to light groups between 2 and 20 both quickly and effectively. In the latest video by Adorama Tv, Mark Wallace talks about how to light large groups evenly in a studio with Profoto lights. His explanation is really detailed, and if you apply this knowledge you can easily adapt this technique outside with something like a Photex Softlighter and some speedlights for even lighting on location.

Each year Time Magazine picks the 100 most influential people in the world to feature in their magazine. Take a small look at what photographer Martin Schoeller had to go through to get a few of the shots. via PetaPixel

This video gives a quick look at Jay P. Morgan's latest advertising campaign for Pedia-Sure. The video isn't quite as informative as Jay's average BTSV but there is still a lot to learn from it. I was really impressed by the size of the campaign and then range of images that were taken.

Annie Leibovitz: Life Through a Lens traces the arc of Annie's photographic life, her aspirations to artistry and the trajectory of her career. The film depicts the various phases that shaped her life including childhood, the tumultuous sixties, her transition from Rolling Stone to Vanity Fair magazine and later her most significant personal relationships including motherhood. Check out the full post for the rest of the documentary.

Most guys are drawn to fashion photography for the over the top concepts and beautiful women. The issue is that most of these men will never truly gain an interest for fashion and sadly, shooting a pretty girl isn't really "fashion photography" at all. Mario Testino is to many, the top fashion photographer in the world. Testino rarely allows cameras to roll while he shoots but in these three videos we can get a glimpse of what a true fashion photographer is. Check out the full post for the other two videos.

Douglas Sonders has been one of the most featured photographers on Fstoppers because he not only has great photoshoots but he also makes great BTS videos. Recently he headed out to Nelson, Nevada (a requirement of any photographer traveling to Vegas) to shoot a few promotional posters for The Showbots' Droidz. In the video, Douglas uses a few White Lighting Strobes with 7" reflectors and does some desaturated edits with Nik Software's Color Efex Pro. Click on the thumbnail image to view the final images.

We have featured many of Mark Wallace's excellent tutorials with Adorama TV, and it is apparent from the comments that everyone appreciates his simple and thorough explanations. Recently Mark released a full length DVD that covers a wide range of topics for all levels of photographers. There must be over 15 different lighting setups, and he covers everything from portraits, headshots, fashion, and glamour to camera gear, light modifiers, and the properties of light. We always feature quality videos for free on Fstoppers, but we also realize a lot of work can go into these extensive DVD tutorials. If you've enjoyed the tutorials Mark has given for free, take some time to check out his Studio Lighting Essentials DVD. If you prefer a more hands on approach, Mark has several Studio Lighting 101 classes which we hope to check out ourselves next time we are in Phoenix, AZ.

Sometimes it's a pain to bring a client to your studio, or maybe you don't even own a studio. In these situations you must figure out a way to bring the studio to the client. Diana Deaver shows us a quick glimpse of her last shoot that involved bringing a paper background and a single large parabolic reflector into a clothing store.

Recently over at the forum, a conversation came up about shooting nudes and glamour style images. One of our readers recommended a short documentary on famous fashion photographer Helmut Newton. We've all seen Helmut's images but if you were like me you might not have known the man behind the images. This 5 part documentary, filmed by June Netwon, shows Helmut working through his shoots with such famous models as Cindy Crawford and Claudia Schiffer as well as the legendary Luciano Pavarotti. It always amazes me how images I would consider 'snapshots' can become iconic images in the fashion world. Fashion photography today often involves studio lighting and extensive photoshop, but as this documentary shows, Helmut was able to cut through the heart of his subjects with nothing more than a film camera often times in auto exposure. Check out more about Helmut over at the Helmut bookstore.

If you have ever wanted to frustrate yourself as a photographer, try shooting food and actually make it look appetizing. Edward Gowans, a photographer based out of Portland Oregon, has made a living shooting food for almost 20 years. Edward learned there was a big market in the northwest looking for stylized culinary images. Using the lighting knowledge he gained from shooting fashion models, Edward began creating stylized culinary images for his clients. As you can see in this video, some of his setups are pretty extensive and sometimes take full days to design. With food, the light often needs to be scrimmed, flagged, and reflected perfectly to showcase both the textures and colors of a well plated dish. Check out more of Ed's work in his portfolio here.

I know a couple of Fstoppers that go by the names of Tiffany and Gianna that are going to love this one... Jay P. Morgan is back again with a really unique concept. In this video Jay explains how he created a super hero concept from nothing and then shows us every minuscule detail that goes into making that image come to life. As always, Jay does an incredible job of packing his video with priceless information that every photographer can use, even if you don't ever plan to shoot Wonder Woman.

EA Sports has been allowing fans to vote for the cover of their newest installment in the college football series NCAA Football 12. For the contest, they filmed four short behind the scenes videos from each player's photoshoot which can all be found in the full post. The photoshoots consist of two primary setups: hall of fame style portraits and on the field action shots. Each portrait was created with a gridded beauty dish and a hard background light while the action shots were lit with a huge octabank, some stripboxes, and a bunch of white v-flats acting as both gobos and reflectors. I'm not sure that the final images are online yet since the contest just wrapped up, but you can see a lot of them on photographer Tim Mantoani's site. My vote goes to Mark Ingram; roll tide roll!

Robert Seale is a high end sports portrait photographer who was recently commissioned by Sports Illustrated to photograph Evan Longoria of the Tampa Bay Rays. His attempt to create something unique and a bit off-kilter involved using a huge 8'x5' piece of Plexiglas that was 1.25 inches thick and 400 pounds. He then set the huge piece of Plexi on a 5 foot tall frame of scaffolding. Using a couple of Profoto Pro-7B strobes and a unique 'below the player' angle, Robert was able to create this photograph for the magazine. The concept and image are fantastic but unfortunately the BTS video is just a timelapse. If you have a hard time imagining what is going on in this video, head over to Rob Galbraith's post for a traditional write up.

There always seems to be two camps when it comes to photography: those who go by feel and those who go by technique. Neither one is necessarily a wrong approach but knowing the technical stuff definitely helps when you are faced with problems or unexpected results. In this video Mark Wallace explains the inverse square law and how it affects light falloff. I'll admit, not having gone to school for photography, it did take me a while to completely grasp this idea when I first started shooting. Once you understand this concept, you should be able to not only light your scenes better but also become more versatile when giving a single light double duty lighting both your subject and the background.

If you've ever been hired to photograph an environmental portrait or a lifestyle image, most of the time your client is expecting a very natural looking image. Using too much flash will kill the mood and remove any sense of a natural environment. Matthew Jordan is no stranger around here, and we love his videos because he articulates his intentions well and tells why he does the setups he does. In this short and to the point video, Matthew talks about how he photographed a natural lifestyle portrait of Vanessa Williams with her daughter. Knowing how to pull off an image like this is an important tool to have in your bag of tricks and is a big money maker in the editorial and lifestyle market.

Each year Gulf Photo Plus takes place in Dubai. During part of the show they pit 2 or more photographers against each other in a surprise photoshoot. Last year the shoot out involved Zack, Joey, and David Hobby of Strobist but this time Zack and Joey were the only shooters. This years subject was quite a surprise and a bit more difficult to shoot than the beautiful women they had last year. I'm not a huge fan of the finished images but I'm not sure what other options these guys had. Check out Zack's blog to read about his thought process while he was shooting.

I have to admit, I really enjoy the bands, artists, photographers and other creative professionals I discover watching Carson Daly's show Last Call. One such artist is Los Angeles based photographer Alex Prager. If I had to describe her work, it would be very editorial in nature with a lot of retro clothing, fashion wigs, and classic Americana references. What I find most inspiring about her work is that she holds nothing back when creating the bright and simple world found in her photographs. Almost every one of her images looks as if it was actually created in 1967 whether it be the hair style, the makeup, the clothing, the cultural references, or even the lighting and film grain. What's even more remarkable is her humble story on how she became a photographer with no formal training at all. If you enjoy this interview from MOMA then click the full post to watch more candid video of Alex talking about her work.

I can't remember the first time I saw this video by Gregory Crewdson but I'm glad it came across our desk again. Gregory is more or less a conceptual photographer who uses both sound stages and real locations to create images that make you stop and question what is going on in the shot. His lighting is very similar to what you would see on a big budget movie, and the amount of resources required for these sorts of productions is probably beyond what most photographers would even consider.

I'm a pretty big fan of Hip Hop music and I have seen every one of the pictures in these two videos. What I didn't know was that they were all taken by a single person. Jonathan Mannion is extremely talented but he also seemed to be around in exactly the right time to shoot the faces of this growing genre of music. Check out the full post for the second video.

I'm sure many of you are familiar with Help-Portrait, an organization of photographers who shoot free portraits to share their art and enrich others lives. Most photographers shoot free portraits around their communities but Sasha Leahovcenco wanted to shoot people that may never get the opportunity to have their picture taken at all. Sasha and his crew traveled to Chukotka, Russia and produced an amazing video of their experience.

I've seen a lot of videos that attempt to explain why you would use a beauty dish over a softbox but I've always had a hard time understanding the subtleties. Jay P Morgan created a video that not only explains everything in great detail, but he also shows 3 lighting examples with each type of dish configuration. If you have always wondered about the magic of the beauty dish, all your questions will now be answered.

Ben Von Wong just sent over a quick video explaining his latest band photoshoot. Their isn't any actual video footage of the shoot (feel free to scold him for that) but Von Wong does a great job of explaining his process without it.

When I received an email from Marie-Louise Cadosch saying she had a behind the scenes video featuring "Lord Vader" I may have rolled my eyes. Chances were good though that her photoshoot would be badass because her previous videos on Fstoppers are some of my favorites. I have come to expect the worst when photographers use famous super heroes or villains in their shoots, but what Marie-Louise did with this theme is pretty stunning. I can't remember the full story of the Twi'leks but the story told here in these images is pretty interesting. It looks like everything was shot with large softboxes in a cross lit position with a final key softbox up above. I'll try to get someone from Marc & Louis Photography to leave some additional information in the comments because these images are pretty cool.

Karl Taylor is an excellent photographer from England who has become a leading teacher in the "how to" photography market. In his latest video he explains a few lighting techniques he uses in the studio while shooting some crazy hair styles. Karl is using a single Elinchrom monolight but is pairing it up with two Canon 580EX flashes. In the video he explains why this setup is ideal for his lighting style and useful for many applications. If you enjoy his teaching, check out his instructional videos on his website as well as some crazy location photos in his port.

Bara Prasilova is a photographer and artist from Prague with quite a list of awards to her name . Recently she teamed up with Quicksilver Women in Europe and began photographing some of their ambassadors. What I love about her work is that she creates a very dreamy mood with muted colors and often unorthodox poses. Click the full post to view more photos from this session and head over to the news section of her website to view the entire collection.

Yuri Arcurs is perhaps the most well known photographer shooting microstock images in the world. His images are clean, inviting, crisp, and natural looking which are all important qualities needed to sell images in bulk. This video by Fototv might be the best video you watch all week because Yuri's tips are not only related to stock photographs but also hold true with almost any photograph requiring a model or human emotion. If you've never signed up to a stock website like Istockphoto, Fotolia, or Shutterstock, I'd recommend you at least try to get approved and test the waters for a few months. Nothing in my opinion strengthens your eye and photographic skills more than producing images that can sell in a highly competitive market like the stock agencies.

Over the last year, Douglas Sonders has created some excellent behind the scenes videos showing off many of his photo shoots. In this video he takes us onto the tarmac at the Lemoore Naval Air Station in California where Douglas creates some excellent portraits. I wish there was a little more explanation of how he approached some of these images but fortunately there is some written material over on the Douglas Sonders Blog. My initial question is how in the world did he get clearance for this considering the US military is often pretty strict with photography.

F18 Fighter Jet Pilot Portrait Photoshoot - Douglas Sonders Photography from Douglas Sonders on Vimeo.

A few weeks ago Lee and I went out to Las Vegas to club it up check out WPPI which is the largest wedding convention in the US. While out there we were able to meet quite a few of our readers, check out the new gear at the Photoflex booth, and play with a lot of new photo related toys. One of the photographers we met was Michael Corsentino who teamed up with Photoflex in this behind the scenes video on outdoor bridals. Michael is using the new Photoflex Triton Flash along with an octabank and a stripbox to create some studio style portraits outside.

Behind the Scenes: Unique Bridal Portraits w/ Michael Corsentino and Photoflex from Photoflex on Vimeo.

The guys over a Lighten Up And Shoot have created a quick video that shows how they quickly created some very compelling images of a model with very little work. I think its very easy for us to over-think when we are on a shoot but sometimes the easiest answer is the best answer.

I've had some great BTS videos piling up here so I am going to post them all now. Check out the video below where Mike Folden shoots an album cover for "The Resume".

If you were a film student and your professor gave you an assignment requiring you to show a series of different lighting setups, what would you do? John Note and his fellow classmates created a pretty funny video tutorial that shows 10 different lighting setups that you could use in both your films and your still images. If you are a photographer you might not be completely familiar with the power references but you can probably imagine the different ratios if you had to convert them to strobes or speedlights. I have often found in my own photography that simply changing the lighting setup to one which I might normally overlook can really change the story telling element of your photos. Has anyone else tried to reproduce morning light or midnight lighting before?

Ten Lighting Setups from John Note on Vimeo.